Emily Sneeden- Michel Gondry "Too Many Dicks on the Dance Floor"
Uses mostly cuts as transitions
Rhythmic relationship set up
Camera panning with movement so actors don't go out of the frame
Bright lights- fantasy or magical realism
Camera is stationary and the actor moves his head closer and farther away to simulate zoom
Spacial relationships as bodies move in and out of the frame
Normally actors exit stage right and enter stage left. Gondry has them both enter and exit from the same side.
Nicole Pennington- Paul McCarthy "Psychoanalytic Theories in Family Tyranny and Cultural Soup"
Cinematic Elements- External shot superimposed onto an extreme close-up on certain objects
Two types of viewpoints
Phallic Representations
THIS VIDEO IS SO CREEPY.
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